ANIMAL DRAWINGS
Drawings from the 2006 exhibition “Anna Redwine: Life in One Breath“
I complete each drawing in a minute or two as I'm watching the animal-- they're strictly from life. When the animal moves, so do the marks I make. If the animal leaves the drawing is over. In East Asian calligraphy this approach of creating a work of art in one sitting, never to work back into it, is referred to as painting in 'one breath'. In this body of work I use the verb 'to draw' to mean not only to place marks on a surface but to extract or distill, like 'drawing' blood or 'drawing' a breath. These marks are extractions of life more than depictions of it. In drawing these pictures I attempt to distill the essence of the animal by placing marks on a surface, and in doing so participate briefly in the life of the animal.
Exhibition Images
Details
rabbit (detail)
48x24 carbon and hide gesso on panel
bee (detail)
48x24 carbon and hide gesso on panel
cricket (detail)
48x24 carbon and hide gesso on panel
fish (detail)
48x24 carbon and hide gesso on panel
fly (detail)
48x24 carbon and hide gesso on panel
frog (detail)
48x24 carbon and hide gesso on panel
lizard (detail)
48x24 carbon and hide gesso on panel
moth (detail)
48x24 carbon and hide gesso on panel
robin (detail)
48x24 carbon and hide gesso on panel
spider (detail)
48x24 carbon and hide gesso on panel
turtle (detail)
48x24 carbon and hide gesso on panel